There is a theater director, a choreographer and a robotics expert. It 's not a joke, so that together we guessed? Show us that robots are not necessarily barren piles of scrap metal. Specifically, we show how a robot can convey the exciting choreography, but not all.
The idea comes from the study of human-machine interactions and research to implement biological functions in robotic systems. Often these work aspects and features link up 'with very practical implications, on the other hand, often when you think a robot (but true for most of the technologies) are the fundamental questions: what can' help me? What can I do? And often we forget that among our basic needs, Maslow docet after pap-poo-pee 'there are other needs. Therein lies the value of art and culture in general. So why 'not to think of robots that are able to convey and evoke emotions that would normally be there' such a work of art? And it 's so that a beautiful swan-meter tall robot has debuttatto last fall at the Gothenburg Book Fair, playing a remix of Swan Lake .
The idea 'of science Lars Asplund of Mälardalen University in Västerås , Sweden, and Kerstin Gauffin of Eskilstuna's University, who developed the project with the collaboration of choreography Åsa Unander-Scharin .
choreographer has as its central theme of the artistic relationship between new technologies and movement. Here's the downside: while the technology becomes more and more 'close to biology trying to "capture" the secrets of the other artists like Åsa study how new technologies can integrate with their performances. It emerged that projects are truly a sight: Gesture and movement are studied and analyzed from the point of view that choral in the way the peculiarities' of movement and the potential 'of the human body can be exploited by new technologies. Projects like Hybrid are a blend of art, physiology, mathematics and robotics. All made in a framework of consistency disarming.
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